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Hyper Natura is a journey through the topics that Luna Bengoechea investigates, with the intention of being more aware of what we are doing with the nature that surrounds us. She questions the current food system and the contradictions of the market. She emphasizes the problems generated by global and intensive production, causing serious environmental impacts. Luna seeks references in the classics of art history, from which she contextualizes the relationship of human being with food and nature – especially the genre of still life or botanical illustrations.

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Pareidolia, describes a vague and random stimulus normally represented by an image that is perceived in a recognizable way. Just like we look for concrete forms on the silhouettes of the clouds that are molded by nature in the geographical features, Oliver Czarnetta uses this search to show the viewers different works in which an active observation is defining to provide them with meaning.

On this occasion, the catalogue includes a text written by Nicola Mariani, art critic and independent curator.

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Under the title material singularity, Toshiro Yamaguchi,  Japanese artist residing in Spain presents his most recent works in which he shows a meditated search for material purity. Color, the predominant value in many of his works, takes on special relevance on this occasion, since Toshiro adds in this exhibition the opaque sonority of the pigments and the use of pure color, which intensifies the visual vibration.

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This pair of artists elaborates their proposals with a performative component and an experimental character. They create their works from any discipline and plastic medium, such as installation, performance, video, sculpture or painting, to take advantage of the different aesthetic and formal possibilities that they offer them. Their work goes through a hybridation of the media, treating the problems of painting from sculpture and vice versa; always having a predilection for installation processes and site-specific interventions.

 

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Alicia Martín creates a work that is just the perfect synergy between art and literature.

It is intuited in her a reader who enjoys reading since childhood, who feels comfortable between books and makes them partners in the most interesting trip, the journey of life.

Each copy read is part of her being, building, one by one, a language, an essential tool of talent that an artist needs to create. The printed words in them make up her own artistic language by inventing the "metalanguage".

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“Life is made of  moments.” Peter Demetz.

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Salustiano's work is based on the depth of the spirit and the superficiality of human passions. It offers us the portrait as a reflection in which to search among our emotions, he is clear to deprive his work of his personal sensible load in order to provoke a reaction in the observer. And he succeeds in getting us to dive in the most hidden waters of our being in search of the memory that leads us to that moment of our life in which our animus was illuminated with the same feeling that is inspired by staring at each portrayed figure.

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One of the elements that most precisely characterises life is movement. The natural passage of time already implies that movement. Christian Voigt portrays life, what he finds, what finds him, while he travels through it.

The energy of life varies in its rhythm.

Through this selection of images we have tried to reveal a very particular tempo, the one imposed by the eye of Christian Voigt, leading us unintentionally through that transcendent flow.

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The implicit complexity in her work is the fruit of the greatness of her concerns. Cristina Gamón lives filled in her own universe of creation in which she suffers and enjoys developing an absolutely personal language. The simplicity of her presentation is the result of an invaluable capacity of reflection in her work. She investigates, studies, reads, analyzes, meditates, obtaining a result of an undeniable coherence. Her creativity is overwhelming, her ability to work is praiseworthy, her spontaneity, extraordinary.

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Pursueing beauty implies a predisposition to the delight of the spontaneous joy of an instant.

Sometimes it is quite complex to write in words certain impressions, and this is one of those cases. To describe what Marta Chirino manages to share with us through her works becomes arduous and delicate. As, while maintaining a clear superficial disquisition between scientific illustration and botanical drawing, she presents a profound reflection to what the simple complexity of nature is concerned.

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