In Mercedes Lara is easy to find some characteristics that clearly define her path from the beginning: a voracious capacity for work, coupled with a deep intuition that always accompanies as her own Jiminy Cricket and an immeasurable love for ART, understood exactly as I write it, in capital letters.
Because landscapes can also be inner. And when they are, inadvertently show the most intimate nature of who portrays them, becoming a celebration where imagination is a must guest and the intention of sharing them is the best gift.
If we stick to the definition of the Real Academia Española, we understand that landscape is that painting, photography, etc., representing a portion of field, forest or city in which human figures do not appear or play a secondary role.
Francisco Farreras: A man of few words and valuable gestures of inventive generosity. His neatness technique is undeniable, his artistic skill is great and his creative character is constant.
He is progressing in materials that slip imperceptibly through his work but surprising the viewer with signs from the past. All made by board circles, string pieces or burned varnishes. Each litle object is a new phoneme in his vocabulary, which instensifies the conversation.
The contemplation of a work of art, before taking into account any other technical consideration, is particularly intimate and personal. An initial appraisal quickly leads us to rejection or acceptance. Then comes the question of why that feeling or that sensation occurs.
Toshiro Yamaguchi appears at first sight as a easy man of smiling eyes and restful thought. And as usual what is deep never shows so, undoubtedly the first impression is wrong.
Yamaguchi will never be protagonist of his comments, he will not speak in the first person of his work nor will interfere with the viewer impressions much less with their interpretations. Everything he is, what he feels and what he thinks is in his work, and it is it what speaks for him.
As the monitor of his own artistic activity, which is generally time-consuming and typically has its preparatory and trial stages, Czarnetta simply lets go of his all-co-ordinating directorial role and cedes to chance and surprise.